Saturday, November 12, 2016


I just finished this purse this afternoon  that I started working on a while ago but had to set aside for other work.    I felt that now its important for me to finish it.   For me,  beading is like a prayer and I often put a lot of thought into the things I make.  Whats on my mind,  or what issues are at hand.   I prayed a LOT for the Mexican people of my community when I made this.  There are already some ugly winds blowing after the election.  Two different fathers,  here legally,  told me how frightened their children are,  thinking they have to leave home to a country they don't even know.  I made this purse in solidarity with those in my community,  who are good,  decent and hard working people.   I stand beside you.   I stand against racism!  

Beaded using 13/0 Charlotte cut beads,  24k gold beads,  16/0 Antique Italian beads,  Antique silver Milagros,  and mounted on printed calf skin.  

I hope to bead and launch a line of purses this spring,  along with some unique jewelry.  

Stay tuned.   Angela 

Saturday, November 5, 2016


Finally got a little time to start reposting some older photos.  These are some of the buffalo robes I have painted in the past.  All are painted in a traditional manner,  using mainly sticks,  mineral pigments and hide glue as a binder.   All robes are brain tanned buffalo.  

Feather Circle Robe 

Box and Border Robe

Thunderbird Robe 

Feather Circle Robe 

Pictorial "War Record" Robe 

Varient of the "Feather Circle" Robe 

Hoping to paint some more robes this winter.  I currently have some nice hides to paint on.   


Tuesday, October 25, 2016


I just finished this beaded pictorial robe - narrating the Omak Stampede and Suicide Race.  It completes the commission I was hired to do for the Denver Art Museum.  It is on permanent exhibit.   Once I get better photos from them,  I will share them here.  I snapped these early today and tried to get some natural sunlight.   

The overall look on the robe.   Its a brain tanned elk robe,  which I beaded in 13/0 cut beads and painted with trade pigments.  

Saddle Bronc rider,  which was from a photo I took at the Omak Stampede.  All images are from photos I took there.  

Bareback bronc rider 

Barrel Racer 

Bull Rider 

Calf Roper 

And lastly,  Jumping the hill.   One of the most thrilling events you will ever witness.   Beaded rodeo images have been a art style on the Plateau for well over 100 years,  as its a important event here.  I am only working in the continuum of the tradition.  


Updated 12/7/16 -  The robe is now installed and the horse gear is fully displayed.  Yeah!  Glad this project is done and now onto new things.  

Tuesday, September 20, 2016


Such a exciting morning.   The horse gear I have been working on for the last year was installed for permanent display at The Denver Art Museum.  Such a humbling time for me, as I also had work go up in another museum this weekend ( will post on that later ).  To think I now have items on display in 7 museums currently is more than I ever could have imagined.  

I have one more piece to complete for this set which I am working on now.  

More to come - Angela 

Monday, September 5, 2016

What I did on my summer vacation!

I finally took a few weeks off and made myself a few items.   Most of them simply were done to replace items I had made in the past,  and then gave away.   Sometimes you get carried away in the moment :-) 

I put the finishing touches on a pair of Cheyenne style saddle bags,  and made a shell necklace,  earrings,  hat band along with a beaded scarf slide and buckskin bag.  All were done using antique Italian seed beads,  Prosser beads,  Russian Trade beads and smooth shell dentallium shells. 

The hat band replaces a quilled hat band that used to adorn this old bowler hat which was my Grandfathers.  So I assume it was made around ca. 1900.   I wanted to do something very Plateau in concept , and yet original.  so I hope I was effective in my idea.  

Speaking of hats,  one I made a few years ago is now on display at the Tamastslikt Cultural Center in Pendleton, Oregon,  in the exhibit "Legend and Legacy - Jackson Sundown and Happy Canyon a century later"  If you love the Pendleton Roundup and Native culture,  I highly recommend going.  

"Buffalo Gal" hat on display.  

And speaking of hats - Another I did this summer for a exhibit on trade blankets which currently is on exhibit at Maryhill Museum of Art.  Another exhibit I highly recommend attending.  

The hat and a few other items I made on display at Maryhill.  

Now back to finishing the horse gear commission I have one piece left to do,  and then other artworks.   Even on vacation,  there is no rest.  But I am not sure I would feel comfortable resting.  


Saturday, July 30, 2016


I am getting to the final pieces of a set of Plateau Style horse gear I have been commissioned to make by a major art museum.   I wanted the style of the gear to be classic Plateau in aesthetics,  but the images on them and ideas are my own.   The narrative for the most part is about the different environmental changes occurring to people here.   Once all this is finished,  I hope to have final photos from the museum of all the pieces together.   

 The first two items I made for the project,  a quill wrapped horse hair bridle ( have never seen this technique used in this manner before.  Only on war shirt strips and also a blanket strip ).  But I felt it lent itself well to this use.  The bridle also has a fancy ring bit with drops, but I didn't use it for these photos.
A detail shot of the bridle.   All sinew sewn,  natural dyed quills and antique Italian seed beads.  

Detail shot of the horse collar.  It represents the Dalles dam on the Coumbia and the flooding of Celilo Falls.   The fish are sturgeon,  and on the sides migrating sturgeon.   The beads are antique Italian seed beads,  with some antique Czech beads.  

A few more of the pieces of gear recently finished.   The saddle,  saddle blanket and rawhide bags.  The blanket over the middle of the saddle will be replaced with a beaded elk robe.  

Saddling up my front porch :-)  The cinch is painted buffalo rawhide,  and based on a antique one in my collection.   The stirrups are also buffalo rawhide covered,  and the incised bags are also buffalo rawhide.  

A better look at the beaded saddle flaps.   They are beaded out of Antique Italian beads. 

The incised rawhide bags.  The images of are traditional Plateau root diggers.  The root bag and root digging stick are mine in my collection.  

The saddle blanket I wanted to be a representation of the Okanogan Night Sky.   When I am at my ranch on the north side of the Colville Reservation -  their is no light pollution from human development.  So the sky is amazing.  I like to lay on a blanket in the grass and look up at it.  

This is the next to last piece I am making.  This will be the saddle drape.  It talks about the tribes on the Columbia River that were legally cheated out of recognized tribal status.  The Chinook tribe being one of those tribes.   They signed treaties with the US Government,  and three times have had their treaty de-ratified and status taken away.  The last time under the Bush Administration.    The artwork is by Greg Robinson,  Chinook and is used with his permission.   

The first of two panels that will go on the beaded rump drape. - "Ancestors" 

The finished Rump Drape

So,  I hope to have this epic work done soon and photos of the complete set up.   Its scheduled to be installed in late August.   Stay tuned.  


Friday, July 15, 2016


Reposting some photos of moccasins I have made over the previous 25 years.   Some of the photos are less than optimal - as back then I didn't have a digital camera or photo studio. 

Tall top Southern Plains style moccasins, made with brain tan,  natural pigment paint,  13/0 charlotte cut beads,  brass spots and mescal bean drops.  Rawhide soles.  

Another pair of Southern style tall tops,  and some early style quilled and pony beaded N. Plains mocs. Brain tan nice,  natural pigments, brass conches,  mescal bean drops,  trade cloth.  13/0 cuts on left,  pony beads on right.  

Tall Top Southern Mocs - Brain tanned hide,  natural pigments,  13/0 cut beads,  sterling silver buttons.  

Blackfoot style moccasins  -  Sinew sewn on brain tanned moose,  antique italian beads.  

Lakota style moccasins - Sinew sewn on brain tanned buffalo.  Antique Italian beads.  

Modern Southern moccasins.  13/0 cut and 24k. gold beads on Italian designer leather.  Red calfskin trim.  

My own personal mocs.  Plateau style.  Brain tanned deer,  antique cut beads,  antique French steel and brass beads.   


Wednesday, July 13, 2016


Wow - Its been a interesting week in cyberspace.   Firstly,  finding people on Pintrest claiming I don't make the beadwork in my photos on this blog ( ignorant and weird ) and now,  I find out there is someone trying to sell to gift stores or set up shows,  claiming they are selling my beadwork.  Total lie! I don't make and sell gift grade beadwork.  I only make one of a kind items,  which usually are in high end collections or museums.   Whom ever is doing this is pulling a huge scam.

I was told by a store in California the person approaching them had beadwork on a pillow ( which I don't make ) with the images of Kachinas on it.  I have NEVER done this,  nor would I,  as Kachinas are seen as sacred beings by the Pueblo tribes.   They would not be something I would want to make and capitalize on.  

So beware if approached with low end goods claiming they are mine.   They are probably imported beadwork.   And beware whom ever is doing this - I will hunt you down like a dog.  And those who know me know I don't make idol threats.


Saturday, July 9, 2016


I have decided to re-edit some old posts from this Blog.   When I first started this Blog,  other internet sites didn't exist,  or were not the monsters they are today.  Sadly,  a lot of my old photos were not watermarked.  They have ended up everywhere on the web.  Not being identified or even misidentified is one thing,  but I have even come across posts claiming I don't do all this work!   While I cannot do much about those who copy and plagiarize my work,  I can voice my dismay over some of these claims.   So if photos are shared,  now they at least have my name on them.  

This hat is now in private collection ( all of them are in fact ).  It as part of my Maryhill Museum of Art show in 2014 

Detail of the "Buffalo Girl" hat.  Beaded with Czech cut beads,  Antique Micro Beads,  Copper Seed Beads,  Custom Sterling Silver button.  

This hat now lives in a private collection in Santa Fe. 

I took a new photo of it last time I was in Santa Fe - It was beaded using all Antique Italian Cut Beads, directly onto the hat.   The band I wanted to resemble Plateau beaded belts.  

This had I made for my all time scholarly idol - Bill Holm.  Anyone who is in the business of Native Art Academics recognizes the name.  It was a huge honor to do this for him. 

Detail photo of the beadwork.  Made using antique Italian beads.  Beaded directly onto the hat. 

I also re-photographed this previously shown hat - Another Plateau Style hat,  beaded out of Antique cut seed beads,  directly onto the hat.  

This is a Plateau,  Nez Perce' style hat I beaded for a friend to match a pair of gauntlet gloves.  Beaded with antique cut beads and the band has a antique, hand made Navajo button.  

This hat was a commission for a client to wear on our July 4th holiday.  Beaded directly on the hat using antique and modern cut 13/0 beads 

This has was a commission about 25 years ago - Beaded with antique micro beads ( Size 16/0 - 18/0 ) directly on the hat.  

Some of these hats go back as far as perhaps 25 years ago, when they were made.  So some of the photos are not optimal.   But yes - I made them.   

More new posts to come as I have time.   Angela